Almost Twenty

Dear Readers ~

This week the story told by the nineteen-year-old closes as she prepares to turn twenty.

Thank you for being here and for witnessing this one-year journey.

Being the scribe for the nineteen-year-old I have learned to trust the creative process in new ways. I have gained an additional depth of awareness (add to traditional meditation and nature observation practices) as to how empowering it is to sit still and listen.

I hope you recalled or discovered a cord of strength to draw upon in your own life as you read her story.

Somewhere along the way were you reminded of an earlier time that may have been foundational in your education? Might you have noticed that this part, this Younger Self, may have become frozen or gotten lost in the busyness of your life? Did you know early on what you were born for? Did you find ways to follow that heartfelt urge, or did you forget? What would you have done if you had been in ‘her shoes’ at different points along the way? What guidance would you have provided for her? Have you received gifts to support your journey? What were they? Do you still enlist those gifts?

One of my takeaways from the story shared by the nineteen-year-old is that she had a naturalist’s ability to be the observer as well as an unassuming innocence. This combination seems to have protected her from becoming a victim of her circumstance. Somehow throughout this year, she was able to remain fluid. She continually yearned to learn from the messages in the books given to her by the band manager and the doctor. She also had the tangible experience of The Medicine given (which completely altered her perspective) and The Farm/seeing Jesus/meeting Alice, then weeks later receiving the life-changing letter. These elements formed a value system that kept her moving forward.

What values and beliefs provide momentum for you? Do they serve you when life is challenging? Your on-going comments and email messages have been a support for the courage of the young woman to keep coming forward and taking the risk to be seen. I recall how I, at my current age, hesitated to engage in ‘bringing up the past.’ I have long placed my focus upon a commitment to ‘be present.’ Yet what I learned from listening to the inner prompt to share this story is that pieces and parts of us can become frozen in time. They do not flow forward. These frozen fragments remain stuck creating mischiefs such as ill-health, accident, and disruptive relationship with self and others.

I was fortunate to have been introduced and deeply inspired by The Transcendentalists. My high school English teacher gave me access to the words and worldview of Emerson, Thoreau, Elizabeth Peabody, and others.

As the nineteen-year-old approaches twenty, she has many hurdles ahead. As this year of experience closes she recalls:

Great is the soul and plain.
It is no flatterer, it is no follower,
It never appeals from itself.
It always believes in itself…
I am born into the great, the universal mind.
I, the imperfect, adore my own perfect…
more and more the surges of everlasting
nature enter into me, and I become
public and human in my regards and
actions. So come I to live thoughts
and act with energies which are immortal…
with Divine Unity.

Emerson

 

Everything changes dramatically and fast.  

Shortly after Medicine Man takes me to visit The Farm, he and three other men have a court date.

I did not read much news throughout the year. I was hidden away experiencing unrest, as well as violence. I heard about protests following the assassinations of Martin Luther King, Jr. on April 4. I would remember Robert Kennedy, not only for his humanity but because he was buried on June 8, the day that I gave birth. I listened to news of the Glenville riots, I picked up bits and pieces about Eldridge Cleaver, the Black Panthers (Huey Newton running for President of the United States), Stokley Carmichael, and the Black Nationalists through hearing conversations on Friday nights. The Man in Charge was the president of the Cleveland Chapter of the Black Nationalist Party, making his house a ground zero for organizing against control by white systems.

I did not know of the Cleveland Plain Dealer front-page news published in May while I was hidden in the bungalow. I did not know that Medicine Man and three other men were featured in the article about the largest LSD drug dealing arrest in city history.

Medicine Man is gone.

I will no longer go to the airport with Funny Man on Tuesday. Wednesday at the laundromat stopped after Beautiful Girl shattered the bathroom door with Handsome Man’s handgun. No more dinners at local restaurants before shooting gallery deliveries. I will not see the attack dogs biting the floor, the Man in Charge will no longer engulf me in aromatic bear hugs, I won’t see other dashiki clad black men negotiating weapon and drug deals around the tables, no more provocatively dressed white girls, my age, brought in by pimps in flashy outfits. No more Saturday night concerts with top-billed Rock n’ Roll bands, no gatherings in the Green Room over-flowing with food, flowers, and the open bar. No watching the one hundred dollar bills being tightly rolled as musicians and groupies inhale white powder off small square mirrors or from the ornate silver spoon on the chain around the neck slipped easily back inside the silk shirt or fringed leather jacket.

At the beginning of next month, the apartment will no longer be paid for by Medicine Man.

Medicine Man is gone.

A few days after his court date and transfer to the county jail the phone rings on the kitchen wall and D picks up. He quickly hands the receiver to me. An authoritative voice tells me, “I’m calling for Medicine Man with instructions.  Listen carefully. When you come to visit bring several dime bags, wear a coat with deep pockets, arrive early in the afternoon.”

For several weeks, I adhere to those instructions visiting Medicine Man as he waits to receive his sentence. On my first visit, I learn the routine. Arrive just before lunch hour, stand in line with other visitors. When it is my turn to be cleared for entry a giant black guard moves toward me. He smiles (gleaming gold tooth flashes) and surprises me by saying, “Call me Rabbit.” He gently pats down my coat then mimes the way I am to extend my hands. He silently demonstrates how to turn my palms toward the floor. His gigantic hands slide down my coat covered arms. He runs his hands down to my left hand, sliding his hand under my palm. The plastic bags, which were deep in my pocket, are moved inside my sleeve then transferred smoothly to his hand. He slides the bags into his uniform sleeve then authoritatively flags me as cleared while I move to another pat-down/checkpoint before entering a narrow hall moving into the low-acoustical tile ceilinged visiting room. Harsh fluorescent tubes buzz and stutter encased in covers filled with dead flies and wasps.

I wait at the Formica four-top table. Medicine Man, always shocking to see in an ill-fitting orange jumpsuit, is brought in wearing handcuffs and ankle chains. We nod and visit. I tell him that I need his help. I let him know that back at the apartment the phone rings every afternoon. D picks up, raises his eyebrows, shrugs handing me the receiver. I tell Medicine Man, “Every day it is the unmistakable Barry White baritone voice of the Man in Charge. He tells me, “I promised your man that I would take good care of you while he is away. All I need is your address. Get yourself ready. Where am I sending the car?”  I tell Medicine Man. “You need to do something about this.”

He scrawls a phone number (no name) on a scrap of paper with my pen telling me, “Call Bert. He’ll take care of it.”  The three of us had breakfast at Irv’s numerous times the month before Medicine Man was sent away. Bert had just been released from prison, having served time for counterfeiting. Later that afternoon I call and tell Bert about Man in Charge. He says, “Never you mind, Sweetheart. Done”

Within weeks Medicine Man receives his sentence, is transferred to a minimum-security federal prison in Allentown, Pennsylvania: two years.

Each day, in my mind, I ‘visit The Farm’ and ‘watch a movie’ where I spend time with Alice. Every day I practice being creative and leaning into her strength. A strength “that comes from Beyond.”

I read Chapter Thirteen in the book from the doctor over and over:

How to Turn a Crisis Into a Creative Opportunity

Crisis Brings Power …

How wonderful is the way in which, with quite ordinary folk, power leaps to our aid in any time of emergency.
We lead timid lives, shrinking from difficult tasks till perhaps we are forced into them or ourselves determine on them,
and immediately we seem to unlock unseen forces. When we have to face danger, then courage comes; when trial
puts a long-continued strain upon us, we find ourselves possessed by the power to endure;
or when disaster ultimately brings the fall which we so long dreaded, we feel underneath us the strength as of everlasting arms.
Common experience teaches that, when great demands are made upon us, if only we fearlessly accept the challenge and confidently expend our strength, every danger or difficulty brings its own strength. The secret lies in the attitude of “fearlessly accepting the challenge,” and “confidently expending our strength.”

“No matter what happens, I can handle it, or I can see it through, rather than, “I hope nothing happens.”  

The following Tuesday Funny Man comes by as usual only today we are not going to the airport. Those days are gone. Today he drives me to a classified ad address just up the hill. We drive the steep incline bordered by the high stone wall to the north framing in the sprawl of the cemetery within walking distance of the shop where I will now work full time. He parks at the curb in front of the two-story brick apartment building. He waits in the car while I walk through the double glass front doors past the wall of brass mailbox slots and through the next set of glass doors into the dimly lit tiled hallway. I see that the first apartment door on the right is open. I follow a smoldering odor and the loud sound of bantering voices down the long hall past the small bath and one bedroom. Fresh white paint throughout.

In the kitchen, I find two elderly men at the stove. The one dressed in overalls is using a piece of lumber to stir something in a huge aluminum canning kettle on the front burner. Turning to greet me the balding, taller one, dressed casually in slacks and polo shirt explains the odd scene. “We have a small leak up on the roof, sorry about the bad smell, need to heat the tar to make it spreadable.”  The janitor in t-shirt and coveralls, a rag stuck in his back pocket, a bandana around his neck, pulls the kerchief up over his nose and mouth as he transfers the steaming black ooze into a bucket on the clean tile floor without spilling a drop. He leaves by the open kitchen door, his heavy workboots make their way up the steel ladder, balancing the steaming pail to the roof while Apartment Building Owner shows me around. He explains the rules. Within thirty minutes I have placed my signature onto a one-year lease. The first check from my new bank account covers the first-month rent now in his hand. 

I have nothing in the way of household goods, yet space alone brings me joy.

I waste no time in creating an oasis for myself. I buy heavy paper and markers making a poster to hang on the inside of my front door.

To this day I have the original poster with my chosen handwritten quotes from Dandelion Wine Green Town #1 by Ray Bradbury:

In a few days I will be dead. No. She put up her hand. I don’t want you to say a thing. I’m not afraid. When you live as long as I’ve lived you lose that too. I never liked lobster in my life, and mainly because I’d never tried it. On my eightieth birthday I tried it. I can’t say I’m greatly excited over lobster still, but I have no doubt as to its taste now, and I don’t fear it. I dare say death will be a lobster too, and I can come to terms with it. She motioned with her hands. “But enough of that. The important thing is that I shant be seeing you again. There will be no services. I believe that a woman who has passed through that particular door has as much right to privacy as a woman who has retired for the night.

“And then there is that day when all around, all around you hear the dropping of the apples, one by one from the trees. At first it is one here and one there, and then it is three and then it is four and then nine and twenty, until the apples plummet like rainfall like horse hoofs in the soft, darkening grass, and you are the last apple on the tree; and you wait for the wind to work you slowly free from the hold upon the sky, and drop you down and down. Long before you hit the grass you will have forgotten there ever was a tree, or other apples, or a summer, or green grass below. You will fall in darkness.”

“We’ve had a nice time, haven’t we? It has been very special here, talking every day. It was that much overburdened and worn phrase referred to as a ‘meeting of the minds.’” She turned to the blue envelope in her hands. “I’ve always known that the quality of love was the mind, even though the body sometimes refuse the knowledge. The body lives for itself. It lives only to feed and wait for night. It’s essentially nocturnal. But what if the mind is born of the sun, William, and must spend thousands of hours or a whole lifetime awake and aware? Can you balance off the body, that pitiful selfish thing of night against a whole lifetime of sun and intellect? I don’t know. I only know there has been your mind here and my mind here, and the afternoons have been like none I can remember. There is still so much more to talk about, but we must save it for another time.”

I step out of my new apartment into the fresh crisp winter air. Large leafless trees arch over the road in both directions. I gaze past the traffic into Lakeview Cemetery. This 285-acre arboretum is nearly as large as The Farm. The grounds are a treasure of quiet path-like winding roads, exceptional sculptured monuments, the beautiful chapel adorned with Tiffany leaded glass windows, thousands of ornamental trees, and mature woods along the perimeter enclosing this glacial moraine complete with a meandering stream and large concrete dam. From the front door of my new address, I catch a glimpse of the tower topping the burial monument to President Garfield.

Beyond the high wrought-iron entryway across the busy road, I now have the cemetery/nature preserve to explore to my heart’s content.

I walk to the corner of Mayfield and Coventry, passing the pet store and antique shop. Today is special. For my birthday I am stopping to buy my new bicycle at Pee Wee’s Bike Shop before going to work with the Lovely Lady surrounded by the exotic assortment of antique jewelry, intricately engraved gold pocket watches, esoteric books, surreal art, imported clothing, and elegant music-making instruments.

One door has closed, another has opened … as I turn twenty.

 

14 thoughts on “Almost Twenty

  1. Eloise Shelton-Mayo

    Wow Donna! I’ve been playing catch up to the story of your 19-year old self now turning twenty. The way you write and describe, the way I bend down but then back up for her, surviving, learning and expanding, the way you talk of hiding the way so many of us do and have done, the way you invite us in and remind us to hold tight has been captivating and at times devastating. I do feel her spirit in you fully. I see that she is open to feeling value, love, discovery, a path… her intelligence and creativity is clear in every obstacle and opportunity that you’ve shared dear Donna. Thank you. In your own story, you allow us our own healing and connection to the girl we were. I’m all the way in for this lovely, young woman becoming herself and realizing how amazing she truly is. Much love and gratitude, Eloise

    • Iona Drozda

      Thank you for being here, Eloise.
      Thank you for your reflections.
      I have a deep respect for our individual and collective ability to experience, express, create, and contribute goodness, beauty, and truth. Every creative act is important.

      As artists, we often yearn to create our masterpiece.
      Throughout my years of making art, my burning yearning has become to ‘Make life the master peace.’

      In some small way, the nineteen-year-old telling her story makes that outcome more accessible.
      Thank you, for being her witness.

  2. Lynn

    So many young women, cast out at that tender age wouldn’t make to the other side. You had such a grip on the crux of who you wanted to be and at the same time, you were present in your day to day actions. It’s quite an amazing testimony. I’ve grown fond of Medicine Man in that he did provide and care for you. He saw the gem in you that we are all seeing now.

    • Iona Drozda

      Thank you, I hear you, Lynn.

      First of all, it is ****such a tender age*****. I can only credit the stubborn need that drove the nineteen-year-old to find her artist self no matter what.
      As to your observation of the girl being “present in your day to day actions” … there too, she was learning to focus. Focus.
      Focus on her direction.
      Thank you also for your observation regarding Medicine Man.
      He was kind to the nineteen-year-old. He was aware of her painful experience. He cared for her and he gave her a place to stay. He didn’t want any harm to come to her.
      She did not feel the danger. Even on Friday and Saturday, going to the darkest places in the inner city, she watched. She saw a different view of things. She did not feel that she was in danger as she had been in true danger during the entrapment where the Medicine Man found her and gave her LSD to ‘help feel better’. Again, I (at my current age) consider this a combination of innocence combined with her deep desire to keep moving forward.

  3. You had such a strong inner desire to be Whole!, and such “fierce courage”, and, as you say, a strength that “came from beyond” to rely on; *trusting* in that as you did; “fiercely accepting the challenges.” Indeed!

    Such wonderful questions to reflect on – good for silent times of being still and listening…

    When I allow your story to touch me, instead of just reading it, it shows me so many things, but in particular it shows me about being open to life, vulnerable, and authentic – my wanting to be more authentic and true to myself, not allowing life situations and people who I’m not resonant with to pull me away from what is true for me internally. I see that you did this – and the poster becomes your statement of independence at the threshold – at the entry into a new way of being in the world as you turned twenty, and the way you just kept moving forward…

    Your story nudges me also to *live* “my” life and *not* be deterred by others who would kill my spirit, setting boundaries with others who are emotionally invasive; or even not letting my own life experiences hold me back.

    Your “fierce courage” to not allow theses horrific experiences to victimize you, to deter you from where you felt you needed to go with your life reminds me of a poem by Hafiz:

    “Run, my dear,
    from anything
    that may not strengthen
    your precious budding wings.

    Run like hell, my dear,
    from anyone likely
    to put a sharp knife
    into the sacred, tender vision
    of your beautiful heart.”

    You held onto your vision and honored your own integrity, and flew!

    If you don’t mind, could you tell the name of the book that the doctor gave you?

    Many bows to you _/\_
    And lots of love too 🙂
    MM

    • Iona Drozda

      Dearest MM ~
      I adore the Hafiz poem. Thank you.
      Your reflections I will review several times.

      The book that Dr. Robert Perchan gave me after the rape (so that I would not carry the weight of the world on my shoulders) is Psycho-Cybernetics by Maxwell Maltz.

      In 2018, after the fall that shattered my shoulder, the nineteen-year-old responded to my inquiry as I wondered when I ever would have had to deal with anything of this magnitude … she reminded me of the book. I went online and was amazed to see how many YouTube book reviews there are as well as interviews with Maxwell Maltz. I have read and reread the book at least three times since downloading it to my e-reader. I marvel over and over again that I was presented with this information at such a young age after such a calamitous series of events. Saved me. As did the Tao te Ching. As did Alice.

      • D – My husband has this book and has read it 3 times! He says he’s going to read it again. He took it down from the shelf and handed it to me… I opened it and it appears I must have started reading it way back when, as I underlined up to about half way through – probably back in the 70’s. Wow – so here’s a gift from the Universe being handed to me! Synchronicity 🙂 Amazing how the Universe works! Maybe I’m ready to read the whole thing now 🙂

        • Iona Drozda

          Dear MM ~
          It is a classic ‘-)
          It is a good read and even though many of the examples of the processes described come from a different and earlier time we can translate and apply the ideas and information to the here and now.
          Synchronicity is clearly the word for how this information came back to meet me too.
          It is an amazing Universe and I do choose to honor that it truly works.
          I highly recommend a full read ‘-), as well as Joseph Rodriquez Study Notes on YouTube

  4. Kay

    Donna,
    I feel that you have lived a hundred lifetimes in one short year. I am thankful that you are here, that you had the opportunity to share your story, and that this horrendous experience gave you the strength and courage to become the person that you are today. I don’t know of anyone else that would have had the “power to endure” what you did. As I am older and look back on life, it feels like I stepped on a fast moving locomotive and it just took off…..I need it to stop or even slow down for a bit, but it just keeps speeding along. I am not even sure that it went in the right direction, but I stayed on.

    • Iona Drozda

      Dear Kay,
      You know, this may be why this year-long story had not been shared before. It does seem like too much.
      It does seem like “a hundred lifetimes in one short year.”

      I, at my current age, am so grateful for the nineteen-year-old coming forward. She has been willing to allow this frozen-in-place piece of experience to thaw. She has been willing to be seen after being in solitary confinement for a half-century.

      Thank you for being her witness and letting her know that she is not alone.

  5. Donna Marie Shanefelter

    Hello Donna, I must ponder and email you later. However, Dandelion Wine is one of those books that found its way onto my bedroom shelf when I was a child in the 70s. We share a love for this work. I read it again and again and again, transported by its poetry, but it’s been a long time and I don’t recall this quote. It doesn’t speak to me in the way that other parts of the book did. The speaker’s view of the mind and body as both hierarchical and oppositional, particularly in their relationship to night and day, does not resonate with my understanding (and perhaps says more about either the ideals that informed Bradbury’s understanding of the world or something he wanted to convey about this particular character in the novel, or both). How provocative of the soon-to-be-twenty-year-old to put a farewell from a dying woman onto her front door. How do you think this quote inspired her to move forward? How do you think it inspired her to love both her body and her mind?

    • Iona Drozda

      Hi, Donna ~
      I was truly surprised and thrilled to have Dandelion Wine appear in her story. I had not recalled the way that I devoured Ray Bradbury’s writing during that time. I had not reread any of the books so to have these quotes come forward AND to be able to actually find the original poster that I made was mind-boggling. The quotes come from different characters. Helen Loomis is speaking to William Forester in the ‘lobster/death’ portion. The apples falling segment comes from the beginning of a chapter about Colonel Freeleigh and ‘after a good cry’ is spoken by Tom Spaulding.

      I’ve done my best to fact-check any memory of the nineteen-year-old as well as to protect the identity of any of the characters who may not want to be included.

      Regarding your inquiry: “How provocative of the soon-to-be-twenty-year-old to put a farewell from a dying woman onto her front door. How do you think this quote inspired her to move forward? How do you think it inspired her to love both her body and her mind?”

      I am stunned to read the Helen Loomis character’s words and to know that at nineteen I felt the need to combine these quotes and post them on my door… with the drawing of the tree. That makes me sense a connection to The Farm. To know of someone so much older, with wisdom, called the nineteen-year-old forward.
      I believe she had a very hard time with the body/mind connection. Her body was quite damaged for a very long time. She turned toward learning to calm the mind which in turn helped tender and soothe the body ….eventually.

  6. Meg

    Oh, Donna, what a breathtaking story. So much courage, clarity and undeniable movement forward. So tender and innocent. I hope that this new door has turned into a beautiful new one now, and that any frozen parts are no longer. Sending love to the 19 year old turning 20, and to the present you.

    • Iona Drozda

      Hi, Meg ~
      Thank you for being here.
      It means a lot to receive your reflection on this young’uns previously uncharted journey.
      I, too, am struck by her courage and willingness to keep on keepin’ on in the face of some formidable dangers.
      I know that she is feeling the love.

Leave a Reply

Your email address will not be published. Required fields are marked *